I collaborate with Howard Melnyczuk as Free Wifi.
We explore the intersection between physical and digital art through exhibition projects, publications and online gallery. Some of our projects are listed on the left.
As Exhibitions Curator at Bunbury Regional Art Gallery (2014-2018), I curated a comprehensive survey of artists working in the South West of Western Australia. I conducted studio visits throughout the region, culminating in an exhibition and publication. The exhibition took place 24 February - 13 May 2018 at Bunbury Regional Art Gallery.
Catalogue images by Howard Melnyczuk
Gallery photos by Artperth
Upper Gallery installation view
Kim Perrier, Monique Tippett and Annette Davis, installation view
Lower Gallery installation view
Ashlee Faber and Helen Seiver, installation view
Lyndon Blue, Philip Gamblen, Zora Kreuzer, Howard Melnyczuk, Rebecca Orchard, and Elise Reitze
Heathcote Museum and Gallery, Western Australia
17 June – Sun 23 July 2017
The way in which we listen determines what we hear. Noise Museum brings together the work of six contemporary artists to arouse modes of active listening and create a shared aural space within Heathcote Gallery. With listening and hearing central to their practices, these artists move across mediums of video, digital media, installation, text and sound, creating works that range from field recordings, sound visualisations, architectural interventions, through to intimate assemblages exploring the relationship between acts of listening and personal histories. This exhibition works with the environment, creating an immersive social space and challenging the boundaries between sound, noise, music and art.
Photos by P.S. Cheng
Video documentation by P.S. Cheng
Howard Melnyczuk, Foley, 2017, genetic algorithm
Rebecca Orchard, Tracing the Terrain, 2017, house paint, river water, watercolour on linen, wooden frame, curtain rod, audio, leaves
Zora Kreuzer, Colour Space, 2017, neon tubes and sound
Lyndon Blue, Swift Head (Subterranean Heathcote Blues), 2017, multi-channel audio and digital print on cotton.
Zora Kreuzer, Colour Space (Red), 2017, neon tubes
and sound
Rebecca Orchard, Tracing the Terrain, 2017, house paint, river water, watercolour on linen, wooden frame, curtain rod, audio, leaves
Philip Gamblen, Bells, 2017, bells, aluminium, steel, solenoids, electronics
Paradatabase is an ongoing investigation into the structure of digitised museum collections. The way in which we experience collections is guided by the mode and protocols of display. When objects are digitised and stored in databases, a dataset is created which can be understood as an object in itself.
CRUDREAM (Create Read Update Delete Rules Everything Around Me) is an installation presenting a material realisation of three publicly available museum databases, alongside an accompanying audioguide. The installation was displayed at the Laurie Grove Baths, 14-17 July 2017 as part of the Graduate Exhibition, MA Digital Culture, Goldsmiths, University of London.
Photos by Howard Melnyczuk
CRUDREAM installation view
Does It Matter?
25-26 May 2017
Friendred, Orange, Ursula Pelczar, Gaby Sahhar
Performance by A'Bear
Curated with Compiler (Tanya Boyarkina, Oscar Cass-Darweish, Eleanor Chownsmith)
Does It Matter? is a pulsating slime-scape permeating the boundaries of digital and organic, virtual and physical, and self and non-self.
Bringing together five London-based artists whose work traces the relationship between matter and identity. Their work is intuitive, inquisitive and performative, investigating the way in which our individual realities are created through the mediation of pure form and raw matter.
Through video, interactive installation, sound and slime, this exhibition challenges the idea of digital technology as virtual or immaterial. It reminds us that our relationship to the digital world is also one of materiality: of circuits, wires, and silicon. The inter/trans-materiality that emerges through this relationship creates messy, unstable substances that obstruct, disrupt and interfere with the surfaces of our identity.
The exhibition took place simultaneously online at http://compiler.zone/gallery and in the basement of Out of the Brew, New Cross.
Photos by Oscar Cass-Darweish
Gaby Sahhar, Masc Brexit in the morning for breakfast, 2017, paper, light installation
Ursula Pelczar, The Blessing, 2017, video
A’Bear performance
Participatory slime-making
6-8 April 2017
Compiler, New Cross, London
Five artists examine the surveillance inherent in the practices of states, corporations, technological spaces and the idioms of digital art. The works in this exhibition move from dystopian and disciplinary aspects of surveillance to the participatory, communal and ludic.
This exhibition marked the launch of Compiler: a platform for new media art and dialogue, with a focus on creative and critical engagement with digital technologies. Check out the review of this exhibition by Samantha Penn on Furtherfield.
Photos by Howard Melnyczuk
Saskia Freeke, Confetti Machine, 2017, interactive installation
Michela Carmazzi, Assange, 2017, digital image
Eleanor Chownsmith, If the Internet Could Dance, 2017, interactive performance
Oscar Cass-Darweish, Between Frames, 2017, Rasberry Pi and 5" display
Fabio Natali, Cryptobar, 2017, performance and installation
So Long and Thanks For All the Fish
14 May - 13 June 2016
Bunbury Regional Art Galleries
This exhibition invited six contemporary artists with an historical connection to Bunbury to consider ideas around personal, community and civic identity.
Dionne Hooyberg, Light Entertainment, 2016, installation
Gemma Weston, Three Stories About Mixed Messages (2.0), 2012-16, digital print on Polyester, X-Banner stand
Gemma Weston, Three Stories About Mixed Messages (2.0), 2012-16, digital print on Polyester, X-Banner stand
Mark Parfitt, Oasis Drive, 2016, 10 x digital prints on archival paper
Mark Parfitt, Oasis Drive (detail), 2016, 10 x digital prints on archival paper
Danni McGrath, Nostalgia Trip, 2016, screenprint
Danni McGrath, Nostalgia Trip (detail), 2016, screenprint
Grace Gammage, Pidgeon Workshop with Greg, 2016, video still
Grace Gammage, Pidgeon Workshop with Greg, 2016, installation view
Caroline J. Dale, An Island; A Storm; A Drive In Cinema, 2016, archival technical pen on Arches 185gsm cotton rag
Caroline J. Dale, An Island (detail), 2016, archival technical pen on Arches 185gsm cotton rag
7 – 29 March 2015
Paper Mountain
A survey of Artist Run Initiatives across Australia curated by the Paper Mountain Co-Directors
Keep Running brought together work from nine artist-run initiatives across Australia to explore the importance of community, collaboration and collective support in national artist-run culture. Featuring work by Boxcopy, FELTspace, Firstdraft, Freerange, Gotham Studios, Kings Artist Run, Moana Project Space, Sticky Institute, West Space & Paper Mountain.
The exhibition was accompanied by a publication and discussion forum at Central Institute of Technology. The project was supported by City of Perth and the Government of Western Australia through the Department of Culture and the Arts.
Photos by Desmond Tan and Emiko Watanabe
Install view
Paper Mountain
West Space
Sticky Institute
Firstdraft
Install view
Ari2Ari discussion forum, in partnership with Central Institute of Technology
Marco Marcon, Sarah Douglas, Maria Miranda, Ari2Ari Discussion Forum
Steve Bull, Ari2Ari Discussion Forum
1 - 23 February 2014
Paper Mountain
Featuring:
APPLECROSS
Aunty Mabel’s Zine Distro
Benchpress
freerange
Hard Work Club
Kurb
Marcel Studio
maxART
Moana
PSAS
Shiritori Press
The Daphne Collection
Paper Mountain
Run Artist Run was a comprehensive survey exhibition of Perth-based Artist Run Initiatives. Including projects that take the form of galleries, a printing press, a design studio, online platforms, exhibition spaces within houses, and a zine distro, this show functions as a representative map of the spaces, knowledge, approaches, practices and processes currently being generated by Perth artists. Curated by Paper Mountain and presented as a part of FRINGE WORLD Festival Perth 2014.
Photos by Emiko Watanabe
Martin Heine opening night performance (Kurb)
freerange
Aunty Mabel’s Zine Distro