Alisa Blakeney

I collaborate with Howard Melnyczuk as Free Wifi.

We explore the intersection between physical and digital art through exhibition projects, publications and online gallery. Some of our projects are listed on the left. 

http://freewifi.fyi

As Exhibitions Curator at Bunbury Regional Art Gallery (2014-2018), I curated a comprehensive survey of artists working in the South West of Western Australia. I conducted studio visits throughout the region, culminating in an exhibition and publication. The exhibition took place 24 February - 13 May 2018 at Bunbury Regional Art Gallery.

Catalogue images by Howard Melnyczuk
Gallery photos by Artperth

Lyndon Blue, Philip Gamblen, Zora Kreuzer, Howard Melnyczuk, Rebecca Orchard, and Elise Reitze
Heathcote Museum and Gallery, Western Australia
17 June – Sun 23 July 2017

The way in which we listen determines what we hear. Noise Museum brings together the work of six contemporary artists to arouse modes of active listening and create a shared aural space within Heathcote Gallery. With listening and hearing central to their practices, these artists move across mediums of video, digital media, installation, text and sound, creating works that range from field recordings, sound visualisations, architectural interventions, through to intimate assemblages exploring the relationship between acts of listening and personal histories.  This exhibition works with the environment, creating an immersive social space and challenging the boundaries between sound, noise, music and art.

Photos by P.S. Cheng

Paradatabase is an ongoing investigation into the structure of digitised museum collections. The way in which we experience collections is guided by the mode and protocols of display. When objects are digitised and stored in databases, a dataset is created which can be understood as an object in itself.

CRUDREAM (Create Read Update Delete Rules Everything Around Me) is an installation presenting a material realisation of three publicly available museum databases, alongside an accompanying audioguide. The installation was displayed at the Laurie Grove Baths, 14-17 July 2017 as part of the Graduate Exhibition, MA Digital Culture, Goldsmiths, University of London.

Photos by Howard Melnyczuk

Does It Matter?
25-26 May 2017
Friendred, Orange, Ursula Pelczar, Gaby Sahhar
Performance by A'Bear

Curated with Compiler (Tanya Boyarkina, Oscar Cass-Darweish, Eleanor Chownsmith)

Does It Matter? is a pulsating slime-scape permeating the boundaries of digital and organic, virtual and physical, and self and non-self.

Bringing together five London-based artists whose work traces the relationship between matter and identity. Their work is intuitive, inquisitive and performative, investigating the way in which our individual realities are created through the mediation of pure form and raw matter.

Through video, interactive installation, sound and slime, this exhibition challenges the idea of digital technology as virtual or immaterial. It reminds us that our relationship to the digital world is also one of materiality: of circuits, wires, and silicon. The inter/trans-materiality that emerges through this relationship creates messy, unstable substances that obstruct, disrupt and interfere with the surfaces of our identity.

The exhibition took place simultaneously online at http://compiler.zone/gallery and in the basement of Out of the Brew, New Cross.

Photos by Oscar Cass-Darweish

6-8 April 2017
Compiler, New Cross, London

Five artists examine the surveillance inherent in the practices of states, corporations, technological spaces and the idioms of digital art. The works in this exhibition move from dystopian and disciplinary aspects of surveillance to the participatory, communal and ludic. 

This exhibition marked the launch of Compiler: a platform for new media art and dialogue, with a focus on creative and critical engagement with digital technologies.

Photos by Howard Melnyczuk

So Long and Thanks For All the Fish

14 May - 13 June 2016
Bunbury Regional Art Galleries

This exhibition invited six contemporary artists with an historical connection to Bunbury to consider ideas around personal, community and civic identity.

Read the catalogue text here.

7 – 29 March 2015
Paper Mountain

A survey of Artist Run Initiatives across Australia curated by the Paper Mountain Co-Directors

Keep Running brought together work from nine artist-run initiatives across Australia to explore the importance of community, collaboration and collective support in national artist-run culture. Featuring work by Boxcopy, FELTspace, Firstdraft, Freerange, Gotham Studios, Kings Artist Run, Moana Project Space, Sticky Institute, West Space & Paper Mountain.

The exhibition was accompanied by a publication and discussion forum at Central Institute of Technology. The project was supported by City of Perth and the Government of Western Australia through the Department of Culture and the Arts.

Photos by Desmond Tan and Emiko Watanabe

1 - 23 February 2014
Paper Mountain

Featuring:

APPLECROSS
Aunty Mabel’s Zine Distro
Benchpress
freerange
Hard Work Club
Kurb
Marcel Studio
maxART
Moana
PSAS
Shiritori Press
The Daphne Collection
Paper Mountain

Run Artist Run was a comprehensive survey exhibition of Perth-based Artist Run Initiatives. Including projects that take the form of galleries, a printing press, a design studio, online platforms, exhibition spaces within houses, and a zine distro, this show functions as a representative map of the spaces, knowledge, approaches, practices and processes currently being generated by Perth artists. Curated by Paper Mountain and presented as a part of FRINGE WORLD Festival Perth 2014.

Photos by Emiko Watanabe